Mission

Chromolume Theatre’s name comes from the Stephen Sondheim/James Lapine musical, Sunday in the Park with George, about an artist struggling to make art meaningful in 19th Century France. Chromolume Theatre was founded by two struggling artists in 2003 with its primary mission to present the American musical on an intimate level in an entertaining, intellectually stimulating and emotionally satisfying way. With growth and change, Chromolume Theatre’s mission has evolved with a new dedication to presenting Broadway’s forgotten gems and off-Broadway’s undiscovered treasured, and shining a light on productions that deserve a second look. Chromolume Theatre also provides opportunity for artists to shine who have not had such an opportunity in the past, as well as a dedication to diverse and multi-cultural casts and crews.

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Support Us

Donate now at Fractured Atlas!

Chromolume Theatre is fiscally sponsored by Fractured Atlas, the largest arts fiscal sponsor in the country. So you can be confident knowing that whether you commit to a monthly tax-deductible gift of $5 or $50, or you are making a one-time donation of $500, whatever amount you can give, it all ads up to supporting Chromolume Theatre’s year-round programming and helping us light up the stage and preserve the work of Chromolume Theatre, not just for now, but for years to come.

We ask you to join Chromolume Theatre and become a dot in our canvas and help us to continue to bring the American musical and these programs to you, our friends, supporters. At Chromolume Theatre, we often say that we are a family, and we want you to join our family today.

 

Chromolume Theatre wants to extend our heartfelt gratitude to the individuals below for their generous donation. Their support plays a vital role in sustaining our mission to enrich our community through the arts.

 

Thanks to their contribution, we have been able to kick-start our 2024 production!  Their belief in our vision fuels our passion and commitment to excellence.

 

We also recognize and value the diverse financial circumstances of our community members. We want to underscore that every contribution, regardless of its size, is deeply meaningful and appreciated. Your generosity truly makes a difference.

 

To illustrate the impact of small donations, let me provide you with an example. Currently, we have approximately 1,800 names on our mailing list. If each individual donated a nominal amount of $25, it would collectively surpass our budgetary needs. This demonstrates how even modest donations can have a significant impact on our ability to fulfill our mission.

 

Of course, we understand that not everyone is in a position to donate, and some may be able to give more. We respect and appreciate every amount provided, no matter how large or small.

 

Your continued support is invaluable to us, and we’re deeply grateful for the trust you’ve placed in us. Together, we can continue to enrich our community through the transformative power of theatre.

 

Thank you once again for your generosity, advocacy, and commitment to our shared vision. We look forward to the opportunity to welcome new members to our theatre family with your support. If you are able to contribute, please consider making a donation today and joining our donor list below.

2024 Donor List

Inga Agrest

Kira Alvarez

Margarit Avedikian

Denise Bradley & Mike Bundlie

Michael Butler

Kyle Critelli

Connie Emge

Jay Esposito

Taylor Foster

Stephanie Fredericks

Amy Gilbert

Gary Gray

Douglas Green

Danielle Handel & Richard Cunningham

Michelle Holmes

Rodney Hobbs

Daniel Koh

Chet Kronenberg

Marcel Licera

Steven Llanusa & Glen Miya

Raylene Lopez

Teresa Mammana

Charlotte Munn

Ann Raziel

Barb Renick

Arthur Richardson

Isabel Roth

Brad Simanski

James Smith

Sean Tsai

Paul Wong

Tom Young

Donate Today

Troy Dailey, Aaron

 

Troy Dailey enjoys walks on the beach, an Irish mule, and playing with all the doggies.  His first memory on stage is joining Van Halen during their Balance Tour. Introducing them in true rebel child fashion, he froze hearing the thunderous applause. Being carried offstage by a band member aside, it was love at first fright. Favorite roles: Archibald Craven (The Secret Garden), Beast (Beauty and the Beast), The Baker (Into the Woods). Troy dedicates today’s performance to his mother, who was always his biggest supporter.

Paloma Malfavon, Casey

 

Paloma Malfavón is excited to be making her Chromolume Theatre debut as Casey in the Los Angeles premiere of First Date at the Zephyr Theatre. She recently played Elle Woods in Legally Blonde at the El Portal Theatre, earning a SCENIE Award for Breakout Lead Performance. Other favorite roles include Rizzo in Grease and Wednesday Addams in The Addams Family. She would like to thank her family and friends for their endless love and encouragement.

Kendre Scott, Gabe

 

Kendre Scott is ready to help bring in the new era of Chromolume after their hiatus and kill it on stage doing the LA premiere of First Date: The Musical. He’d like to thank his wife Gina for always pushing him to perform and do what he loves. His previous roles include Jack Kelly (Newsies at CTG Santa Clarita), Audrey II (Little Shop of Horrors at ActingOut!), and Benny (In The Heights at Simi Valley Cultural Arts Center)   

Natalie Scott, Lauren

 

Natalie Scott is a Los Angeles-based actor and singer. After earning her BA in Theatre from Eastern Michigan University, she moved herself out to California where she’s performed on stages with Idina Menzel, Kristen Bell, and Whoopi Goldberg. Favorite theatre credits include: Legally Blonde (EMU), Alice in Wonderland (Wilshire Ebell), and A Case of the Mondays (The Actors Group). She recently starred in the Christmas caper, Merry Heistmas, and is looking forward to continuing her training with The Groundlings this spring. ItsNatalieScott.com

Christopher Baker, Reggie

 

Christopher Baker, a Florida native, is excited to be part of First Date. He has performed in productions such as Rent at Chance Theatre, where he played Benny, and recently portrayed Jerry in ARENA: A House Music-al. Christopher is a passionate actor, constantly honing his craft at Baron Brown Studio, and looks forward to delivering a great performance.

Rachel Yoffe, Allison

 

Rachel is excited to be making her Chromolume debut! Rachel received her BA in Theatre from California State University, Northridge and some of her previous credits include: Sweeney Todd (Johanna), The Secret Garden (Lily), Spring Awakening (Martha), Evita (Mistress), The Drowsy Chaperone (Kitty), Legally Blonde (Vivienne U/S), Big Fish (Sandra), The Prom (Kaylee), Something Rotten (Portia U/S), Les Miserables (Cosette U/S), Elf (Jovie U/S). Enjoy the show!

Michael Angel, Waiter

 

Michael is extremely honored to be back at Chromolume Theatre, after having played Buck in Zanna, Don’t! back in 2017. Some past credits include Legally Blonde (Elle’s Dad/Ensemble), In the Heights (Domingo), Mamma Mia! (Eddie), Grease (Roger) and Elf (Store Manager). When he is not performing, you can catch him serving Theatre greatness in the Box Office at the Pantages Theatre! Thank you for supporting live theatre and enjoy the show!

Bonnie Joy Sludikoff, Grandma Ida

 

Bonnie Joy Sludikoff is thrilled to be returning to the stage after a nearly four year hiatus! These days Bonnie mostly works as a writer and activist/advocate, but she never turns down an opportunity to burst into song whether onstage or— let’s face it — literally anywhere else. Past favorite performances have included Songs For A New World (Woman 2), A Chorus Line (Bebe), Hair (Jeanie), The Best Little Whorehouse In Texas (Doatsy Mae), Godspell (Joanne), and six magical seasons singing at Disneyland Resort and other amazing venues with Mixed Company’s Tis The Season Handbell Carolers. Bonnie has also starred in four solo shows including The Magic Schoolbus: A Traumedy.  She is grateful for the opportunity to get back to the magical world of telling stories through song. www.BonnieJoySludikoff.com

Andreas Pantazis, Aaron u/s

 

Andreas Pantazis is grateful for the return of Chromolume Theatre and be apart of that. Just seen in Guys and Dolls with Altadena Music Theatre, Beauty and the Beast as Beast with Nocturne Theatre and as Gaston with Candlelight Pavilion/Inland Pacific Ballet. Other Credits: Les Miserables (Courfeyrac, u/s Marius) Regional Tour; Kiss Me Kate with Marina Del Rey Symphony; Home For The Holidays (Santa) Knott’s Berry Farm; Elf the Musical (u/s Santa, Greenway) Sierra Repertory Theatre; and Cinderella with 5 Star Theatricals. He’s thanks James, Jonny, Michael and talented cast for letting him share the stage with them. Big thanks to his family and friends, and you for your continuous support of LA theatre. IG: @Andreas.a.Pantazis

Olivia Leyva, Casey u/s

 

Olivia has a B.A. in English and a minor in Theater Arts from California Lutheran University. Her recent previous acting credits include In The Heights (Morgan-Wixson Theater) and The Prom (Simi Valley Cultural Arts Center). She’s also a director, playwright, and dramaturg around Los Angeles and Ventura counties. She hopes you have many fruitful first dates!  

James Esposito, Director, Scenic Design, Sound Design

 

James is thrilled to be back in the director’s chair after a six year hiatus. Directing credits include Dessa Rose (LA Premiere), Pacific Overtures (Stage Raw Winner for Best Musical), Songs For A New World and Strip. He is a founding member of Chromolume Theatre and is currently the V.P. of Operations. Sound Design credits include Dessa Rose, Pacific Overtures, Zanna, Don’t! just to name a few. Scenic Design credits include the NAACP Award Winning production of Do Lord Remember Me and Dessa Rose. On stage, his credits include In The Heights (Kevin) Company (Bobby), City of Angels (Munoz), Two Gentlemen of Verona (Thurio) and Forever Plaid (Sparky) just to name a few.

Brianne Lopez, Assistant Director

 

Brianne Lopez is thrilled to make her debut as assistant director for the production of First Date. Brianne’s previous acting credits Include In The Heights at Simi Valley Cultural Arts Center, Rent at Cabrillo stage, Little Shop of Horrors and Bring It On The Musical at College of the Canyons. While Brianne is regularly seen on stage, she is so excited to step onto the other side of the curtain. She wants to thank her partner Domonique for always supporting her in whatever she does.

Jonny Perl, Musical Director

 

Chromolume debut! Former Managing Director, Shinbone Theatre Company. Musicals: Shel, Lorelei, Macabaret, Crazy Ex-Girlfriend Cabaret; and Immersive Experiences: What Went Wrong, Welcome Back Woodchucks, Afterlife Anonymous. Actor: Cuckoo’s Nest, Tick, Tick…BOOM!, and Merrily We Roll Along. Co-Producer How to Dance in Ohio on Broadway, Production Supervisor Paws of Fury for Paramount. Upcoming: Farewell My Concubine by Kenneth Lin and Jason Robert Brown. Jonny also regularly music directs, accompanies, teaches, and leads piano bar singalongs. Best known for TikTok @Jonny.Perl.

Michael Marchak, Choreographer

 

Michael received a BA in theatre with a minor in chemistry from USC. He is currently pursuing a masters in Urban Planning also at USC. Having choreographed Zanna Don’t, Pacific Overtures, Dessa Rose, and directed Story of My Life; Michael is thrilled to be back at Chromolume once again! Starting his dance training at sixteen years old, Michael found a passion for storytelling through movement. Ballet became a favorite while also training in jazz, tap and dabbling in hip-hop. Past choreography/directing credits: Mean Girls (Fairfax High School), Topsy Turvy (Cupcake), The Legend of Georgia McBride (Crown City), The Importance of Being Earnest (Crown City), She Loves Me, Charlie Brown, Legally Blonde, Little Women, Wild Party, Matilda, Frog & Toad, Addams Family, and Prom (all at MWT). @mikejmarch “You’ve got talent. Don’t give up.”

Ariella Salinas Fiore, Intimacy Director

 

Ariella Salinas Fiore (she/her/ella) is excited to be part of the return of Chromolume! This is her first time working with this company.  She has served as Intimacy Director for Romeo and Juliet, Choose Your Own Ending (Morgan-Wixson), Las Sirenas (LATC), American La Ronde (PRT), Elf (SVCAC), Losing Your Humanity (HFF), and Seminar (Little Fish Theatre), among many others.  She is also an Intimacy Coordinator for film and television.  She has been performing as an actor on stage since she was 3, and has worked as a sex educator since college, so the leap to Intimacy Professional was a natural one. She is grateful to James and the team for having her on board to create a consent forward space for this story. Much love and thanks to her partner, Michael, to their loinfruit, and to her friends, who all always provide her with so much support. IG: AriellaSalinasFiore

Kara McLeod, Costume Design

 

Kara has been a theater professional for about a million years, or over 30, depending on how you count them.  She has worked with companies such as South Coast Repertory, Center Theater Group, The Shakespeare Center of Los Angeles, LA Opera and Disney Imagineering.  Some of her past shows with Chromolume are The Musical of Musicals, the Musical!, Pacific Overtures and Dessa Rose.  She’s excited to be back at this, the rebirth of Chromolume Theatre and hopes you enjoy this and many more shows to come!

Cici Mao, Lighting Design

 

Cici is excited to join Chromolume for First Date! Their past work includes Footloose at the Morgan-Wixson Theatre, If All The Sky Were Paper with Arroyo Reparatory Theatre, and various theatre productions at MIT, including Jekyll and Hyde, The Wedding Singer, and A Chorus Line.

Brandon John, Master Electrician

 

Brandon John is excited to join Chromolume as the Master Electrician. Recent lighting and sound design credits include Small Mouth Sounds, Jekyll & Hyde, Legally Blonde, A Chorus Line, Jasper in Deadland, Spamalot, Footloose, and The Addams Family.

Emily Walker, Production Stage Manager

 

Emily is so excited to work with Chromolume for the first time as the Production Stage Manager. Her previous work as a PSM includes Footloose, In The Heights, and Wild Party. She would like to thank her friends and family for all the support and love. 

Ken Werther, Publicity

 

KEN WERTHER PUBLICITY has been a staple in the Los Angeles performing arts community since 1982. Public relations, producing, directing. As producer: All Your Hard Work (Brimmer St. Theatre Company); The Good Boy (LATC); A Kind of Kind (Celebration Theatre @ Atwater Village) the Queer Classics productions of The Importance of Being Earnest and The Taming of the Shrew. Assistant director: Stop the World, I Want to Get Off (Musical Theatre Guild); The Women of Brewster Place (Celebration Theatre); The Woodsman (Coeurage Theatre Company).