Mission

Chromolume Theatre’s name comes from the Stephen Sondheim/James Lapine musical, Sunday in the Park with George, about an artist struggling to make art meaningful in 19th Century France. Chromolume Theatre was founded by two struggling artists in 2003 with its primary mission to present the American musical on an intimate level in an entertaining, intellectually stimulating and emotionally satisfying way. With growth and change, Chromolume Theatre’s mission has evolved with a new dedication to presenting Broadway’s forgotten gems and off-Broadway’s undiscovered treasured, and shining a light on productions that deserve a second look. Chromolume Theatre also provides opportunity for artists to shine who have not had such an opportunity in the past, as well as a dedication to diverse and multi-cultural casts and crews.

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You’re Gonna Love Tomorrow

Music and Lyrics by Stephen Sondheim
Continuity by Paul Lazarus
Musical Direction by Paul Gemignani
Orchestrations by Tom Fay
As performed by the Whitney Museum of American Art Composers’ Showcase
Produced and directed by Paul Lazarus

may 27 – may 29, 2005
stella adler theatre

The lesser-known songs of Stephen Sondheim reclaim the spotlight in this marvelously understated overview of the early parts of the career of Broadway’s reigning genius.

 

The exhilarating work represented here is nothing short of a revelation: the appealing melodies and astonishing craft of his first unproduced Broadway musical, written in his early 20s; the gut-busting numbers that didn’t make it into “A Funny Thing Happened On The Way To The Forum;” the stark beauty of “Pacific Overtures;” the sweeping romanticism of “Anyone Can Whistle;” and a heartrendingly gorgeous ballad from his adaptation of “The Frogs,” originally staged in the Yale University swimming pool.

 

These rare gems are performed alongside some of Sondheim’s best-loved miniature masterpieces in a simple one-act fundraising revue for Chromolume Theatre Company. If you like Sondheim, your gonna love “You’re Gonna Love Tomorrow.”

PERFORMANCE
MAIN CAST

Ellen Caranasos

 

Ellen graduated form the University of Central Florida with a degree in theater performance and studied Shakespeare at Cambridge University in England. While at UCF she received the Irene Ryan Award and performed at the Kennedy Center. Some of her favorite past theatrical performances include; Mona in The Best Little Whorehouse in Texas, the Baker’s Wife in Into the Woods, Maria in Lend Me a Tenor, Essie in You Can’t Take it With You, and Lady Anne in Richard the Third. Ellen is very happy to be a part of Chromolume Theatre Company.

Gwen Copeland

 

With Chromolume: Celeste in Saturday Night. Other theatres: First Lady at UCLA Playwriting Series, Who’s Playing The Sheriff at Santa Clarita Rep., Wild Duck at A Noise Within, Sunday Dinner Pierson Playhouse Playwriting Series, Medea Stella Adler, Heaven Can Wait Pierson Playhouse, Laundry and Bourbon Westside Players OR., You’re a Good Man Charlie Brown Theatre in The Grove OR., Eddie Mae Murder Mysteries OR., Reckless St. Martin’s Theatre WA., Dreaming of the Bones and The Cat And The Moon Emerson College, England. Film/TV: PresentsPrecursor to ClosureLetting Go, and Tiptoes. Education/Training: A Noise Within Professional Intern Program; Musical Theatre from Kathy Wallace; Foundation Studies Emerson College, England; B.S. Evergreen State College.

Michael Daly

 

Michael Daly is happy to be in Chromolume Theatre Company’s production of You’re Gonna Love Tomorrow. He recently appeared in Chromolume’s production of Saturday Night as Dino. Michael’s favorite former roles include Billy Lawlor (42nd Street), Sal (Victor, Victoria), The Lion (The Wizard of Oz) and Danny (Baby). Michael would like to thank his family and friends for all their support and especially all of their money to pay his rent.

Michael Donahue


Michael came to Los Angeles from Denver, Colorado to attend the American Academy of Dramatic Arts, where he graduated in 2002. Then a member of the AADA Company of 2003. Michael’s credits include Derek in Once a Catholic at the Matrix Theatre, Josh Johnson in Rimers of Eldritch, Frederick the Great in The Sorrows of Frederick, and Matt Galloway in The Laramie Project. Musical Theater Credits include Young Scrooge in A Christmas Carol at the Def West Theatre, Newsboy in Working, Paul in A Chorus Line, Cinderella’s Prince in Into the Woods, and Jonny Bell in Block Nine. Issac in the indie-film release of Not Quite Right. Michael is excited to be apart of The Chromolume Theatre Company.

James Esposito

 

James is currently the Executive Director of Chromolume Theatre Company. Recently, he was overjoyed to be cast in his dream role, Bobby in Company. Other credits include Forever Plaid (Sparky), Funny Thing Happened on the Way to the Forum (Hero), Kiss Me, Kate (Bill/Luciento), 1776 (Courier), Two Gentlemen of Verona (Thurio), Fiddler on the Roof (twice!), Cinderella, My Fair Lady and Chess.  He wishes to dedicate this performance to his wife, Victoria, his children Alexandra and Giovanni, his grandparents, Robert and Mabel Andrews, and especially his Mother for whom his great love of the arts was born.

Renee Herman

 

Born and raised a girl from the Midwest, Renee is happy to be spreading her wings in the cultural landscape of Los Angeles. She received her Bachelor’s in Performing Arts from Berklee College of Music, Boston. Her past favorite theatrical performances include Lisa in Queen of SpadesLakmeHanzel and Gretel and Guys and Dolls. She is also a performing singer/songwriter and passionate activist. She’s very honored and excited to be a part of the Chromolume Theater Company.

Mary Morrissey

 

You’re Gonna Love Tomorrow is Mary’s debut as a Chromolume Theatre Company member. She is thrilled to begin this chapter of her career with such an incredible group of individuals. It is her hope that tonight our concert will bring you the joy, the laughter, and the longing to want to join us again in another theatrical experience this coming season. Enjoy the show! For TV/film credits log onto: Internet Movie Database. Member: Academy of Television Arts and Sciences, SAG, AFTRA, and Actors’ Equity.

Jarod Scott

 

Jarod is a transplant from Monroe, Ohio-small town U.S.A. where got his start doing local musicals including productions at Ohio University, and Ohio Valley Summer Theater. Seeking greater challenges, Jarod landed in L.A. hitting the ground running with such recognizable roles as Tybalt, Cabaret‘s Cliff Bradshaw, and Elvis Presley/Verges from Much Ado Bout Nutin’. Film and TV credits include: That 80’s ShowProvidenceThe Family Mancuso, and Funque Incorporated.

Renee Scott

 

 

Renee Scott has been to every state in the continental US at least once, spreading the joy of musical theatre throughout the land during three national tours. Renee has sung and danced in many cities as a rabbit, Dalmatian, lady in waiting, and dirty street urchin. Born and raised New Yorker, she is happy to be in Los Angeles, where she no longer lives in fear of sitting next to the smelly guy on the subway. Her favorite credits include the original casts of the Off-Broadway productions of A Tale of Two Cities and Lyz! (a musical version of Lysistrata, I kid you not). In Los Angeles, Renee has appeared as Marla in Specter at the Gardner Stages, in Gratuity Not Included at Improv Olympic and on television as a waitress on What I Like About You. Big love to Reuben.

 

Melissa Wolfe

 

Melissa is thrilled to be making her Los Angeles musical theatre debut in You’re Gonna Love Tomorrow with such an amazing group of people. Melissa’s favorite role to date was appearing as Sally in Cabaret. Her other musical appearances include GodspellThe Pajama GameJack the Ripper: the musical, and several others. This performance is dedicated to her late grandmother, Helen Ross, who instilled in her a love of singing, music, family, and life. Enjoy the show!

Paul Wong

 

Paul is very proud to join the Chromolume family with You’re Gonna Love Tomorrow, which marks his 9th Stephen Sondheim show. Previous LA appearances include the LA premiere of Passion (Fosca’s Father, Sgt. Lombardi), the US premiere of the revised Anyone Can Whistle (George), the Ovation Award winning production of Sweeney Todd (Anthony), the Ovation Award nominated production of Pacific Overtures (multiple), Into the Woods (Jack), Merrily We Roll Along (Charley), and Follies (Roscoe). He also created roles in the original musicals Beijing Spring (Father) and Canton Jazz Club (Quartet Tenor) and was in the first (only?) all Asian-American production of A Chorus Line (Don). Thanks to his parents Bob and Ellen Wong for their gift of music as a child, and to Tomm and Beamer for their love and support.

Jamie McMurray, Director

 

Grew up in Scarsdale, New York and Palm Beach, Florida. He attended the University of Florida and graduated with a Bachelor of Fine Arts degree in theater performance. After that, he attended the Burt Reynolds Institute for Theater Training, at its time, one of the most unique Equity membership candidacy programs in the country. It was one of the best years of his life. To be immersed in theater sixteen hours a day, seven days a week was challenging, exciting and very informative. He received $100 a week, nine meals a week and the opportunity to work with theater professionals he would not otherwise come in contact with. It culminated with the earning of his Actor Equity card at the end of fifty-two weeks. Burt Reynolds himself was so impressed with the caliber of talent in his class of thirteen, that he very generously paid all our initiation fees into Equity. McMurray started The Glorious Impossible Theater Works. He Was Here, a book of poetry he discovered and adapted for the stage with Will Willoughby, was first produced at St. Thomas the Apostle in Hollywood and raised over $1,000 for the Episcopal Church. It moved onto The Rose Alley Theater in Venice, CA. where it continued a five week run. McMurray’s tenure at The Rose Alley continued as co-Artistic Director for two and a half years along with Willoughby where they produced over seven full length plays, two staged readings, poetry readings and a dynamic childrens program for at risk youth in the local community. Most recently James produced and directed and eight week sold out run of Michaelangelo’s Models at the Rose Alley. His latest performance was in Chromolume’s Los Angeles premiere of Stephen Sondheim’s Saturday Night. McMurray can frequently be seen on Home & Garden Television. He’s thrilled to be a part of the Chromolume company.

Gary Gray, Musical Director

 

Gary Gray is active as an accompanist, musical director and occasional conductor. Gary holds a Bachelor of Music degree in Piano Performance from the University of Pacific and a Master of Music degree in Accompanying from the University of Southern California. He is on the staff of the Music Department at Santa Monica College. Aside from his academic pursuits, Gary frequently busies himself in musical theatre, having accompanied or musically directed over 50 productions. As musical director, he received a Drama-Logue Award for Best Musical direction for The Fantasticks, which he also co-produced. He has also musically directed several productions for the SMC Theatre Arts Department and has taught the SMC Musical Theatre Workshop. During April, 1997, he traveled with SMC’s production of Once On This Island to the American College Theater Festival at the Kennedy Center for the Performing Arts in Washington, D.C. Gary has also served as conductor for the Santa Monica College Opera Theatre productions of The Marriage of Figaro and Die Fledermaus. In his “spare” time, Mr. Gray also programs the internet musical theatre radio station TheatricallyChallenged.

Ron Wyand, Sound Design

 

Ron’s sound designs can be heard throughout Southern California. His recent designs include: Lee MillerThe Angel and the Fiend for the J. Paul Getty Museum; Newport Theater Arts Center’s production of Camping with Tom and HenryThe Women at the Hudson Avenue Theater; Quilters and Cabaret for the Huntington Beach Playhouse; The Crumple Zone in Los Angeles and Seattle for Dad ‘n’ Pop Productions, The Price for A Noise Within; The Rose Tattoo at Long Beach Playhouse and Ernest In Love at the Fremont Center Theater. Ron has received numerous design awards including a Backstage West Garland Award for The Interact Theater’s production of The Cherry Orchard. He is the resident Sound Designer at the Long Beach Playhouse, a member of the Production Staff at A Noise Within and is an Audio Engineer at the Torrance Cultural Arts Center’s James Armstrong Theater. This is Ron’s third sound design with Chromolume.

Mery Galadjian, Stage Manager

 

Mery is currently attending John H. Francis Polytechnic High School having already done acting with the Los Angeles Opera in Journey to Cordoba and joins the Chromolume Theatre Crew in You’re Gonna Love Tomorrow as the Assistant Stage Manager hoping for a great start in her career. She enjoys working with this cast and crew.

Troy Dailey, Aaron

 

Troy Dailey enjoys walks on the beach, an Irish mule, and playing with all the doggies.  His first memory on stage is joining Van Halen during their Balance Tour. Introducing them in true rebel child fashion, he froze hearing the thunderous applause. Being carried offstage by a band member aside, it was love at first fright. Favorite roles: Archibald Craven (The Secret Garden), Beast (Beauty and the Beast), The Baker (Into the Woods). Troy dedicates today’s performance to his mother, who was always his biggest supporter.

Paloma Malfavon, Casey

 

Paloma Malfavón is excited to be making her Chromolume Theatre debut as Casey in the Los Angeles premiere of First Date at the Zephyr Theatre. She recently played Elle Woods in Legally Blonde at the El Portal Theatre, earning a SCENIE Award for Breakout Lead Performance. Other favorite roles include Rizzo in Grease and Wednesday Addams in The Addams Family. She would like to thank her family and friends for their endless love and encouragement.

Kendre Scott, Gabe

 

Kendre Scott is ready to help bring in the new era of Chromolume after their hiatus and kill it on stage doing the LA premiere of First Date: The Musical. He’d like to thank his wife Gina for always pushing him to perform and do what he loves. His previous roles include Jack Kelly (Newsies at CTG Santa Clarita), Audrey II (Little Shop of Horrors at ActingOut!), and Benny (In The Heights at Simi Valley Cultural Arts Center)   

Natalie Scott, Lauren

 

Natalie Scott is a Los Angeles-based actor and singer. After earning her BA in Theatre from Eastern Michigan University, she moved herself out to California where she’s performed on stages with Idina Menzel, Kristen Bell, and Whoopi Goldberg. Favorite theatre credits include: Legally Blonde (EMU), Alice in Wonderland (Wilshire Ebell), and A Case of the Mondays (The Actors Group). She recently starred in the Christmas caper, Merry Heistmas, and is looking forward to continuing her training with The Groundlings this spring. ItsNatalieScott.com

Christopher Baker, Reggie

 

Christopher Baker, a Florida native, is excited to be part of First Date. He has performed in productions such as Rent at Chance Theatre, where he played Benny, and recently portrayed Jerry in ARENA: A House Music-al. Christopher is a passionate actor, constantly honing his craft at Baron Brown Studio, and looks forward to delivering a great performance.

Rachel Yoffe, Allison

 

Rachel is excited to be making her Chromolume debut! Rachel received her BA in Theatre from California State University, Northridge and some of her previous credits include: Sweeney Todd (Johanna), The Secret Garden (Lily), Spring Awakening (Martha), Evita (Mistress), The Drowsy Chaperone (Kitty), Legally Blonde (Vivienne U/S), Big Fish (Sandra), The Prom (Kaylee), Something Rotten (Portia U/S), Les Miserables (Cosette U/S), Elf (Jovie U/S). Enjoy the show!

Michael Angel, Waiter

 

Michael is extremely honored to be back at Chromolume Theatre, after having played Buck in Zanna, Don’t! back in 2017. Some past credits include Legally Blonde (Elle’s Dad/Ensemble), In the Heights (Domingo), Mamma Mia! (Eddie), Grease (Roger) and Elf (Store Manager). When he is not performing, you can catch him serving Theatre greatness in the Box Office at the Pantages Theatre! Thank you for supporting live theatre and enjoy the show!

Bonnie Joy Sludikoff, Grandma Ida

 

Bonnie Joy Sludikoff is thrilled to be returning to the stage after a nearly four year hiatus! These days Bonnie mostly works as a writer and activist/advocate, but she never turns down an opportunity to burst into song whether onstage or— let’s face it — literally anywhere else. Past favorite performances have included Songs For A New World (Woman 2), A Chorus Line (Bebe), Hair (Jeanie), The Best Little Whorehouse In Texas (Doatsy Mae), Godspell (Joanne), and six magical seasons singing at Disneyland Resort and other amazing venues with Mixed Company’s Tis The Season Handbell Carolers. Bonnie has also starred in four solo shows including The Magic Schoolbus: A Traumedy.  She is grateful for the opportunity to get back to the magical world of telling stories through song. www.BonnieJoySludikoff.com

Andreas Pantazis, Aaron u/s

 

Andreas Pantazis is grateful for the return of Chromolume Theatre and be apart of that. Just seen in Guys and Dolls with Altadena Music Theatre, Beauty and the Beast as Beast with Nocturne Theatre and as Gaston with Candlelight Pavilion/Inland Pacific Ballet. Other Credits: Les Miserables (Courfeyrac, u/s Marius) Regional Tour; Kiss Me Kate with Marina Del Rey Symphony; Home For The Holidays (Santa) Knott’s Berry Farm; Elf the Musical (u/s Santa, Greenway) Sierra Repertory Theatre; and Cinderella with 5 Star Theatricals. He’s thanks James, Jonny, Michael and talented cast for letting him share the stage with them. Big thanks to his family and friends, and you for your continuous support of LA theatre. IG: @Andreas.a.Pantazis

Olivia Leyva, Casey u/s

 

Olivia has a B.A. in English and a minor in Theater Arts from California Lutheran University. Her recent previous acting credits include In The Heights (Morgan-Wixson Theater) and The Prom (Simi Valley Cultural Arts Center). She’s also a director, playwright, and dramaturg around Los Angeles and Ventura counties. She hopes you have many fruitful first dates!  

James Esposito, Director, Scenic Design, Sound Design

 

James is thrilled to be back in the director’s chair after a six year hiatus. Directing credits include Dessa Rose (LA Premiere), Pacific Overtures (Stage Raw Winner for Best Musical), Songs For A New World and Strip. He is a founding member of Chromolume Theatre and is currently the V.P. of Operations. Sound Design credits include Dessa Rose, Pacific Overtures, Zanna, Don’t! just to name a few. Scenic Design credits include the NAACP Award Winning production of Do Lord Remember Me and Dessa Rose. On stage, his credits include In The Heights (Kevin) Company (Bobby), City of Angels (Munoz), Two Gentlemen of Verona (Thurio) and Forever Plaid (Sparky) just to name a few.

Brianne Lopez, Assistant Director

 

Brianne Lopez is thrilled to make her debut as assistant director for the production of First Date. Brianne’s previous acting credits Include In The Heights at Simi Valley Cultural Arts Center, Rent at Cabrillo stage, Little Shop of Horrors and Bring It On The Musical at College of the Canyons. While Brianne is regularly seen on stage, she is so excited to step onto the other side of the curtain. She wants to thank her partner Domonique for always supporting her in whatever she does.

Jonny Perl, Musical Director

 

Chromolume debut! Former Managing Director, Shinbone Theatre Company. Musicals: Shel, Lorelei, Macabaret, Crazy Ex-Girlfriend Cabaret; and Immersive Experiences: What Went Wrong, Welcome Back Woodchucks, Afterlife Anonymous. Actor: Cuckoo’s Nest, Tick, Tick…BOOM!, and Merrily We Roll Along. Co-Producer How to Dance in Ohio on Broadway, Production Supervisor Paws of Fury for Paramount. Upcoming: Farewell My Concubine by Kenneth Lin and Jason Robert Brown. Jonny also regularly music directs, accompanies, teaches, and leads piano bar singalongs. Best known for TikTok @Jonny.Perl.

Michael Marchak, Choreographer

 

Michael received a BA in theatre with a minor in chemistry from USC. He is currently pursuing a masters in Urban Planning also at USC. Having choreographed Zanna Don’t, Pacific Overtures, Dessa Rose, and directed Story of My Life; Michael is thrilled to be back at Chromolume once again! Starting his dance training at sixteen years old, Michael found a passion for storytelling through movement. Ballet became a favorite while also training in jazz, tap and dabbling in hip-hop. Past choreography/directing credits: Mean Girls (Fairfax High School), Topsy Turvy (Cupcake), The Legend of Georgia McBride (Crown City), The Importance of Being Earnest (Crown City), She Loves Me, Charlie Brown, Legally Blonde, Little Women, Wild Party, Matilda, Frog & Toad, Addams Family, and Prom (all at MWT). @mikejmarch “You’ve got talent. Don’t give up.”

Ariella Salinas Fiore, Intimacy Director

 

Ariella Salinas Fiore (she/her/ella) is excited to be part of the return of Chromolume! This is her first time working with this company.  She has served as Intimacy Director for Romeo and Juliet, Choose Your Own Ending (Morgan-Wixson), Las Sirenas (LATC), American La Ronde (PRT), Elf (SVCAC), Losing Your Humanity (HFF), and Seminar (Little Fish Theatre), among many others.  She is also an Intimacy Coordinator for film and television.  She has been performing as an actor on stage since she was 3, and has worked as a sex educator since college, so the leap to Intimacy Professional was a natural one. She is grateful to James and the team for having her on board to create a consent forward space for this story. Much love and thanks to her partner, Michael, to their loinfruit, and to her friends, who all always provide her with so much support. IG: AriellaSalinasFiore

Kara McLeod, Costume Design

 

Kara has been a theater professional for about a million years, or over 30, depending on how you count them.  She has worked with companies such as South Coast Repertory, Center Theater Group, The Shakespeare Center of Los Angeles, LA Opera and Disney Imagineering.  Some of her past shows with Chromolume are The Musical of Musicals, the Musical!, Pacific Overtures and Dessa Rose.  She’s excited to be back at this, the rebirth of Chromolume Theatre and hopes you enjoy this and many more shows to come!

Cici Mao, Lighting Design

 

Cici is excited to join Chromolume for First Date! Their past work includes Footloose at the Morgan-Wixson Theatre, If All The Sky Were Paper with Arroyo Reparatory Theatre, and various theatre productions at MIT, including Jekyll and Hyde, The Wedding Singer, and A Chorus Line.

Brandon John, Master Electrician

 

Brandon John is excited to join Chromolume as the Master Electrician. Recent lighting and sound design credits include Small Mouth Sounds, Jekyll & Hyde, Legally Blonde, A Chorus Line, Jasper in Deadland, Spamalot, Footloose, and The Addams Family.

Emily Walker, Production Stage Manager

 

Emily is so excited to work with Chromolume for the first time as the Production Stage Manager. Her previous work as a PSM includes Footloose, In The Heights, and Wild Party. She would like to thank her friends and family for all the support and love. 

Ken Werther, Publicity

 

KEN WERTHER PUBLICITY has been a staple in the Los Angeles performing arts community since 1982. Public relations, producing, directing. As producer: All Your Hard Work (Brimmer St. Theatre Company); The Good Boy (LATC); A Kind of Kind (Celebration Theatre @ Atwater Village) the Queer Classics productions of The Importance of Being Earnest and The Taming of the Shrew. Assistant director: Stop the World, I Want to Get Off (Musical Theatre Guild); The Women of Brewster Place (Celebration Theatre); The Woodsman (Coeurage Theatre Company).